This week’s a bit of a HonestyFest: no, this isn’t another virtual collection of hastily pulled-together people on a Zoom call, I probably know enough people to maybe rustle up three people tops. I’m pretty certain one of them doesn’t have a webcam anyway. What the poetry has done we’ve discussed on Monday, and I mentioned then in passing a long-form piece which contains a lot of early mental trauma as a starting point to where things should move next.
I read it all yesterday, in a couple of sittings. Structural integrity is about 80%, if it were any less I’d have not decided to go public so fast on Patreon. It will be serialised, starting in September, because it is complete. I just needed the nerve and the impetus to push it to the finish line. I’ve tried and failed to get it accepted as a stand-alone work, and there’s just not enough energy right now to move down that path. Instead, it is perfect work to repurpose as subscription fodder.
The timing here is almost… well, prophetic.
Those of you REALLY paying attention will know this took eighteen years to write. With the edit coming up, we’ll call it a round twenty. It’s made the finish line as my NaNo project a while back, and I’ve had it sitting as a back burner project since February. I was fully ready to return, but with a view to try to push for grown up publication. This way makes an enormous amount of sense as an alternative. More significantly, it opens up the Patreon as ‘not just poetry’ and that’s really rather important right now.
This year I become a ‘proper’ published poet, not just a competition winner: I saw the proof of that poem in the Places of Poetry document today, for the first time, and let out a little squeal of delight. More work will be published, I can guarantee you that, but as yet there’s only been lip service granted to what is something that drives a lot of my interest as an adult. Storytelling has always been a goal. The Twitter short story has shown me the market exists. Now it is time to do the things I don’t like: selling both this and me.
As it happens, this is something I am getting used to.
There will need to be a synopsis, and I don’t want to give too much away by doing so. You’ll get introductions to characters and probably some vignettes for each. Mostly however, there is the soundtrack, which I’ll do more justice than has previously been the case. This was the novel that began my obsession with music as background to action, and I’m listening to it now as I type. It’s about to be revisited after a couple of years, with some new pieces added.
I am genuinely excited for this addition to my Patreon.