2020 Week Four Poetry: In Darkest Days

I’m quite tired. Fortunately there’s only five more days of exercise for REDJanuary to complete. Fingers crossed I will not have a repeat of the trauma relapse that happened on Thursday for a while, and tomorrow there’s a new back shave and hairdo and that is always something to look forward to. In the meantime, I have nothing to say about this poem other than it was a useful exercise in stream of consciousness writing, and that I’m likely to come back to this at some point for a rewrite.

That reminds me, I need to sort out the February headers tomorrow…


In Darkest Days

Monday’s muted hue reminds: don’t quit today, not finished here; mind left awry, piled Jenga high each countless resolution neatly filed, marked decades past.

Tuesday’s ruby heart pumps strong: another mile, muscles dictate; progress made far past
expectation, stamina evolving unpredicted revelation.

Wednesday wanes, impostor syndrome looms, all alone ‘cross sweat stained rooms; bad moments burnt, kindling bright: evening’s progress strong, consistent pace.

Thursday’s emerging, different past, everything placed: inescapable reality’s thrall deposed, unopposed ascendancy guaranteed, unstoppable forced.

Friday doesn’t mind, forgiving sins: dice thrown, snake lies slain; Eden’s burnt remains. All this will pass, promise paid, toss broken gains.

Begin again.


 

EX/WHI :: Part 22

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In a blink, Chris is no longer in the restaurant: instead this is broad daylight and he is at some considerable height, standing on a smooth, white platform. There he also is, standing opposite, making eye contact with himself; that Chambers, in a future he is yet to experience, is holding both of Ami’s hands, clearly struggling to get her to understand something important, quite possibly vital. There’s no context either, too far away to hear any conversation taking place.

The aliens are showing me this for a reason, he surmises, but too much information and the future might not happen. How do they make him certain of upcoming importance but at the same time not destroy the sanctity of a timeline they don’t adhere to but he is bound by? The answer is presented without any other prompt, consciousness grasping three intractable truths: jump, gasp then let go. Moments are placed in his head, but access restricted.

When time comes, you’ll know what to do.

He’ll see himself at each flashpoint: first moment will unlock second: the last will be the most pain he has ever experienced. The alien in his mind is careful not to draw attention to where these pieces of his future are tied, or what prompts them to manifest after this first encounter. It’s vital intelligence, on a need to know basis. When Part One is done, he’ll get access to the next part of this puzzle, for that’s what begins tomorrow morning.

None of what has transpired until now has been significant: they’ve been kept together and given time to bond. When they both wake up, that is when the real experiment begins. The word, in his head, is presented not as something insidious, but rather a challenge. Is he up to the tasks that will be presented? Can he complete the sequence correctly and complete what is asked of him?

There’s never been a physical obstacle that’s overcome Chris’ ability to either brute force it or solve it in time with common sense and bravado. This will be no different: his abilities, plus Ami’s calm and determination under pressure will combine and whatever is waiting for them both will be surmounted, together. He doesn’t need the reassurance of a shared bed any longer.

Returned to the dinner table, Chambers finally understands significance of what is to come.


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Love What You Do

I’ve learnt a lot in the past year. Most of that’s come in the form of just how much time things take to work out the way you want them. Therefore, planning early and often has become the watch phrase. It means I’ve cheekily skipped last week’s episodic fiction to ensure the next part of the story is told properly, and in the way it needs to be. Most of you won’t notice the changes happening, of course, but for me they are life savers.

That means February’s mostly planned. Paper Hearts is gonna be my Instagram project: bit of poetry, some photography, nothing too fancy. Some days, just gonna be words. I like the idea of not being totally focussed on imagery this time. However, there has to be a LOT of work on the other parts of my equation, and now there’s no immediate timescale around certain projects, this can all be achieved in a far less stressful environment.

February also has some things to look forward to on top of the scheduled.

spidermaster

It’s Time to Talk day on February 6th (effectively two weeks from now) and there will be many words in my various places online during that period. I’ve also booked a creative writing workshop for the following week, so there’s something more to talk about than my own projects. Plus, there is the aborted from this month Video Content that will finally see the light of day.

Also, we get a SUPER BONUS FREE DAY on the 29th that isn’t normally there at all and it would be a foolish woman who did not plan something special for that. So I will, except as of right now I am not entirely certain what this thing will be. It’s going to be clever and massive and may actually involve tea (both beverage and mealtime) now I come to think of it and OH YES THAT’S A BRILLIANT IDEA…

Better go write this down whilst I remember it…

Sky High

We have reached the ‘Something has to Give’ portion of this month and sadly, it’s the most labour-intensive part of a larger equation that’s going to suffer. I’ve submitted to SIX different things so far this month, and with Red October January being labour intensive PLUS the Mental health Champion Training I’m not gonna lie, there’s really not been time for anything else. 

That includes self-care and family time as well, and as a result something really needs to give. Therefore, the video’s being put back to the end of February, the 28th to be precise, which will now allow me to tackle the backlog building so the website does not fall any further behind. It also gives me Sunday off this week which I intend to use doing as little as possible with a 5k run inserted somewhere.

Also, that header’s redundant. The poem I was going to use has changed.

A World of Colour

The new work is to tie in with video content I’ve already partially researched, and therefore this gives me more time to create summat that I have previous knowledge of. Don’t worry, the original poem will have its day in the sun, just not yet. It’s also given me a bit of space to work on what has ended up as a very submissions heavy month. These do tend to take quite a bit out of me, as I’m now discovering.

When everything was tentatively planned in December the actual workload was not really that clear: now it is, this gives me sufficient time and space to look past what’s happening now and plan ahead. I want a short story or two written as well going forward, as these are looking like an increasingly useful way of setting myself up a revenue stream. At some point, if I want progress, there has to be cash coming in.

The good news is that I’m getting a long weekend mid-February at the same Resort Parc (TM) where summer holiday turned into hospital stay. Let’s hope for everybody concerned there’s no repeat of that, and that I can spend a few days not worrying about anything except relaxing and enjoying myself. Once that’s done, it’ll be time to start working out the content for March, then we’re three months into the year…

Blimey, doesn’t time fly when you’re having fun.

2020 Week Three Poetry: For Tomorrow

Here we are at week three already, although it does seem about three months since all of this started. However, the last seven days have been a bit of an up and down affair, with this one of the notable highlights. Poetry’s an odd thing: what might make one person run away screaming will make another appreciate your work unprompted. These five verses  got more likes combined than I’ve managed in several months.

It just goes to prove, you never know. I pushed out of comfort zones. It’s structure that’s unfamiliar yet led me in the right direction every ‘verse.’ It’s nomenclature that feels difficult and yet sits comfortably with the progression. I’m not yet in the realms of smart, clever poets I look at and think ‘God I wish I’d written that‘ but it is honest, concrete progress. That’s all I can really ask for.

Everything right now moves me forward.


For Tomorrow

 

between exhales, pain distributes; adagio’s neat cursive sweep records another day within, despite intentions soundly built, belief collapsed, unhinged.

rhythmic stress, reality’s strained counterpoint: accepting downbeat concrete cadence only marks temporary transitions – release; extensions.

unchaste, canvas torn, counted almost out, rebound; suckered pinch, naught remains: woman down, distract, reconstitute idea, reborn.

constant inhale, cycle toned, repercussions symbolism, adrift no more: aloft, hope for tomorrow brandished; rewarding whole.

inhale optimism’s warm, upward trajectory; second stage preparation bolsters future, definition scored: sharp synonymy dismissing doubt.


2020 Week Two Poetry: Springs Eternal

This has been a REALLY good week, not gonna lie, even if the pace of content is still not at a level I’d like. Things have been completed, undoubted progress. I’ve applied for a course, submitted two lots of poetry, and finally got the episodic fiction running again. Then I discovered the header image on that static page needed a change, so tomorrow we’ll pull everything up to date.

In poetic terms, this is another decent effort, in the model of what’s become the ‘five day stanza’ method. Next week it is time to open things up a bit: not as structured, a little more free-flowing. I don’t wanna keep sounding like a Dr Who episode every time a new verse is produced, after all. The only way to gain maximum potential out of this exercise is to push my creative boundaries.

Suffice it to say, this is just didactic enough.


Springs Eternal

Understand, one possibility
all that’s required, turn
darkness outward, reconstruct
positivity, second chance
third time, no harm.

Embrace, each outcome’s
myriad possibilities, place
optimism foremost; hope
springs, eternal font,
creative disposition.

Ignore naysayers, melt
snowflakes, dismiss
anger-fuelled petulance;
no-one asked for this,
cry babies, reject.

Finally, dust settles:
survey wastelands, start
greenest recovery plants
expectation; reclamation
shoots, then scores.

All these species
collective utopia,
rescue together, great
scientific progression:
save planet for peace.


EX/WHI :: Part Twenty-One

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Chris feels her lie deep in his gut; there’s more to her ‘conversation’ with the aliens than Ami feels comfortable letting on. He could ask, but this is not the time. Dishonesty’s not a sleight, rather used to assuage his fear over performance anxiety, with reasons he knows are both fair and accurate. There’s a damn good reason he’s not been on a date in over a year. Those blue pills his doctor prescribed might fix the mechanics, but did nothing for his head.

It makes perfect sense to abduct one male and female. It’s why Noah shoved two of everything in the Ark, Bible’s writers leaving rest to the imagination of their readers. If this is an exercise in testing all their abilities… he knows now that’s not something his partner is willing to indulge in, not without far more than just a single evening out under their belts. That alone makes Chris feel more comfortable than has been true since their arrival.

Excusing herself to go to the unisex bathroom he used before they started dinner, Chambers sits alone, staring at a battered Rolex that reads just before 11pm. It’s Bishop’s idea that they keep themselves tied to London time as it exists on their wrists; the more normality that can be self-imposed the better. Whatever else might be happening around them plus within a fledgling shared consciousness, comfort and belief mattered above all else.

He’d thought briefly about asking to share a camp-bed, mostly because he was shit scared and needed reassurance, then considered the messages that might send her which are all kinds of wrong. Right now, he cannot revert to archetype. Strength alone is easy, when you don’t get all the chemical stuff as distraction. She’d made the point over dinner: if you wanted to truly test a species for suitability, there’s gonna be a point where loyalty to each other would be addressed.

It’s also hard to escape jealousy; she’d been shown consequences of failure in her mind and he hadn’t. His experiences of the aliens is far less detailed or interactive: it shouldn’t bother him, but worryingly does. His conscious initially struggled to even grasp the enormity of their situation, yet something is altering. Fear should never allow emotional responses to dictate experience, and yet it has, every time. Personal failure, parenting, relationships, decision-making…

Your importance is about to become apparent.


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