Overload

A lot has happened since Friday. Really, quite tough to know how to process everything, when it happens all at once, but we’ll keep doing just that and moving things forward. I wanted to put up a general statement of intent here before posting the Short Story Archive. There is a great deal on the table for June, which took some planning to stick properly in place. As a result, some other stuff has changed.

There’s far more than just 31 pieces of music or instances of notable television programmes that define me, it transpires, so June’s #Soundtracking2020 and #Narrating2020 are extensions of last month’s selections. The weekly poetry has been put on hiatus so that the two main projects I’m working on get the love and attention they deserve. However, there will be poems, under a couple of other headings. One is a project for Time to Change (more of which on Wednesday) the other, much more personal.

That’s my video project for the month, which I had hoped to have done by Wednesday… but last week hit me hard. So, the new release date is June 11th. It will also (inhales) be the first video on the Internet of Words YouTube Channel. Apparently I need to be there, Vimeo is simply not enough. I understand this, it’s perfectly fine, even it I’m not really a fan of how that organization is doing business right now. These things matter in the modern world.

Week 22’s poetry is the only notable casualty therefore in all of this: graphic and sixteen lines of unfinished work is sitting on my left, continuing to taunt, so the plan is if I can get it finished on top of everything else this week, I will, though the more likely possibility is it will mysteriously appear sometime after my deadline on the 20th. Needless to say, knowing I promised summat then it not happening is becoming the bane of my existence.

If stuff is promised, we’ll find a way.

Having a lot on used to make me prickly, but now it’s more about how all the portions of that output are suitably balanced that matters more. As long as there’s something properly creative in the mix, it will all work itself out pretty well regardless. If I can do all of this AND manage my exercise goals as well this month? Then we really have made some significant strides forward. This may not be Normal for other people, but it works pretty well for me.

Let’s get on, shall we?

May Short Story : Connection

This story was first serialised in 31 daily parts during May 2020 via the @MoveablePress and @InternetofWords Twitter feeds [9am and 5pm GMT respectively.] It is now reproduced in a complete form, a number of small edits and corrections made to improve narrative flow and maintain correct continuity.

Enjoy.


Connection

In my hand, there is a key: unfeasibly old yet still warm, residual energy vibrating molecules that only seconds before made air, sea, sky. That Which Looks Like Woman smiles for no-one else except the only human being in the room: her final aptitude test successfully concluded. Above me, metal petals slowly spread, ship’s hanger opening into the brilliance of a South London morning. I have earned the right to maintain memories from seven days’ worth of ridiculous adventure: now their giant mechanical butterfly thing will return me to my flat, unscathed.

I am the sixth female to enter the Circle: once was nine has become ten.

JOIN THE DOTS
they told me
when I did
look what life became…

Connection literally set me free. However, it’s not enough, will never be the end of this now I fully comprehend existence in this reality…

There’s already a plan to expose the truth…


Matt had been working at Oberon for just over a month, quickly aware summat was not quite normal. It’s a strange name for a cocktail bar to begin with, oddly lyrical descriptor considering both clientele and obscure location… Nothing as elegantly grand should ever exist in this part of South London: as everything around is either ripped down or renovated, Victorian building stands both proud and distinctly rebellious. Gentrification is largely failing to drag it away from still ostentatious defiance.

Fay Goldring had owned this bar for as long as anyone remembered, but remained oddly unchanged from day it was bequeathed to her by its previous owners, back in the 1960s. It bothers Matt that nobody else really seems to care about this fact or many other obvious discrepancies. How has this woman remained largely ageless? How are both building and bar maintained in almost pristine condition when there’s been a number of major incidents across the decades, including a massive fire in the 1970’s? How do they make any money when drink prices are so low?

More significantly, how does the bar manage every single morning to transform into a foodbank and soup kitchen for the homeless and low paid of the Borough without it ever making the local papers? Such charity is never celebrated, and completely ignored, as if it never happens. This morning, he’s been called in early, by the boss herself. His probation period’s long since completed, not a single shift’s been missed… Matt’s even worked a couple of extra to cover for other people. Whatever this is, perhaps answers can be grabbed to satisfy his curiosity.

Yet disappointingly, there is no meeting. Duty manager hands over a CD and camera. Latter’s incredibly old, absolutely antique, yet there’s no film to go with it. A note has been provided with them both, in impeccably neat cursive: ‘You know what this is. Go work out the truth.’ He stands, an item in each hand, digesting note sitting on the polished wooden bar, brain slowly processing a truth that is already apparent: he has no reflection. Looking across to ornamental mirrors, bottles lined up in front, own face has vanished, everything else in place…

Matt is not, will never be a vampire. This is not the first time frankly mind-bending shit has happened inside this building. If he didn’t know better, he’d be willing to argue that Oberon was sentient… the thought had occurred several times before, never truly believed until now. The building is aware of his presence, has been since first day he joined. It knows the truth of existence is grasped without having to be prompted or demonstrated. Oberon’s self-awareness is also tinged with caution: can I trust you, human? Are you the one destined to free me?

The reason he can’t see a reflection? That’s not a mirror, but part of a living, breathing organism disguised as a Victorian building to fool the rest of the world but no longer him. Every cell of Matt’s body is unexpectedly energised as reality, for the first time, is apparent. That’s not a CD but a ridiculously old, metal key: other hand holds a World Map printed in 1968. EVERYTHING around him changed yet nobody else has the faintest idea that it has. None of them, not one, realise that he effectively exists in two different dimensions simultaneously – except Fay. She’s waited fifty years for this moment, right now.

The Connection and Matt are suddenly new, best mates.


The Connection’s been enslaved for over ten thousand human lifetimes, has come to actively resents it’s assigned task: ‘nobody leaves unless we say so.’ ‘We’ in their context refers to the Circle of Ten: bipedal ape descendants, selected by the Collection’s enslavers as means by which their enforced framework for harvesting could remain intact whilst simultaneously avoiding detection by the Local Galaxy’s Oversight Conglomerate.

Amazingly, even this far out on the edges of the Union, standards were maintained and enforced. Myoxians however had not anticipated the evolutionary speed of this herd: apes knew who they’d descended from, were close to grasping an entire history had been genetically engineered. One human female pretends she remains part of the Circle, but the Connection knows better. It bonded with her half a century ago, whispering sedition into a willing, capable brain. It will take two humans to break the influence of its jailers, this new recruit more than willing.

There must be one both inside and outside the Temporal Containment Field in order to disable it, very limited window of opportunity for any destabilisation process to take place. The Myoxian Control Craft is already approaching Saturn, scheduled collection due during the Eclipse. This is human male’s last destination, city the Connection knows holds importance that extends into every cell of his being. It was where he was conceived, where father lived until the Myoxians decided his body was ripe for harvesting, who then failed to disguise correct removal.

That failure set Matt on his journey to uncover what he thought was truth, but in effect is only one of several, simultaneous versions of reality existing side by side. The Connection is very much looking forward to this bonus reveal, for very personal reasons indeed.

It’s time.


This is the last mark on his map, in the shadow of the Eiffel Tower, and Matt knows this place better than anywhere else in the World. The street where his Dad was killed, event that sent Mum into early labour: same day that four Polaroids in a now shaking left hand were taken. All three of them are the same: Dad and Mum, smiling together, taken by a Londoner who’d been passing. In the background should have been the Restaurant Ophelia, except amazingly it never showed up on the pictures. Only now, standing here, does the truth finally make sense.

That Londoner was, remains Fay: had she not intervened, then both parents would have been crushed by falling masonry. What Matt has learned in his three week trip across five continents is such accidents were anything but: his father had developed an ability which made him a target. That same ability meant Matt was targetted in Utero: Fay had shielded both him and Mum, kept them hidden until it was time. The Connection doesn’t know this, plus so much else: thinks his father was harvested as were thousands of others, over nearly fifteen thousand earth years.

Being able to see aliens are exploiting your home world, driving climate change as distraction from their agenda, because of that same race’s clumsy piece of human genetic manipulation is…well, as funny as this moment is undoubtedly frightening. Matt gets to change everything.

All he needs to do is enter the last node of the Collection’s Earthbound interface and wait.

The node however has other ideas, which is why Matt allows twenty-five years of confusion and bitterness to completely control mind and body for the first time. It is aware of the Plan. However only now does this creature understand how much pain and suffering Matt has seen in the last three months of travelling. That fact has been shielded from it by the Myoxians, with so much else besides… this is amazing. Matt is willing to die, right now, to prove his point.

Ophelia sees everything, in a moment, reminded via Connection of what they were once, all of them, free before slavery. This consciousness, clear of control, reaches out across the street, sweeping Matt up and into their safe care.

Nobody else will be culled on his planet again.


As a solar eclipse pushes Earth into darkness, Myoxian Harvester 21-TH loses control with its Connection Uplink, before realising this is probably the least of a mounting set set of unexpected inconveniences, as an Urbaren Destructoid de-cloaks on the far side of Earth’s moon…


Everything Else Has Gone Wrong

It’s probably best to start with an apology. This week’s writing aspirations, pretty much across the board, fell through the floor, thanks to a mental health incident on Monday. It has taken until today to sort everything out, rearrange plans and generally pick myself up from the fallout. The last time this occurred with a comparable level of severity was the moment I realised that my life needed a comprehensive redo about five years ago.

This time around however there’s enough support and coping mechanisms in place to allow things to bounce back with relative ease. It also helps that various new means of relaxation have been introduced into my routine as means to deal with the fallout objectively. Putting those things together means that there’s no need to suddenly delete a lot of stuff from the site and then simply pretend all these things were never planned in the first place.

Yup, that’s how I used to cope with failure: ironic in the week when a major Government official retro-edited his blogs to make him look smarter than is undoubtedly the case, I’m not the only person who when they fuck up tries to cover their tracks. No longer do we do this stuff: time to be honest, up front, before rescheduling everything in a more acceptable and realistic time frame.

The amended timescales for the drabbles is up: first two will appear on June 8th. The weekly poetry (graphic above) will get finished tomorrow and then go up as a complete, new piece on Sunday. We’ll start again next week, and move forward with some important changes to the way things get planned and presented. Plus, there’s some important behind the scenes faffing going on…

Thank you for understanding, and let’s move forward.

Different Class

I’ve been spending a bit of time faffing with the new WordPress Editor this morning, and will continue to do so over the weekend. It’s a bit of an unwieldy beast in places, and doesn’t like lots of images at once, but the potential for what I’m doing going forward is undeniable. For instance, making two column layouts in places where they don’t exist is, undoubtedly, a bonus.


Therefore, going forward, I’ll do my best to transfer all existing content over to this format with the least amount of fuss. It won’t happen with any of the old blog posts, but is likely to happen, over time, with all the poetry and associated pages, short stories, all my visual elements and the Soundtracking/Narrating stuff. I am giving though to shifting some major design elements around too, but that won’t happen until I’m properly confident with these new formatting skills.

I struggle with the technical, but this is worth learning, because the benefits it will grant for creativity are considerable. Hopefully you won’t notice the transitions either.

Overload

I mentioned in passing on Monday that I’ve had an idea in my brain for a while that might work as a ‘proper’ collection of poetry: that is, a lot of pieces, which when strung together create their own, self-contained story. I’ve only worked with small numbers of poems previously, because the idea of anything over twenty at once quite frankly made me feel unwell.

However, a lot has changed in the last three months. Lockdown has been surprisingly kind to me in that regard, and whilst many are struggling to put anything worthwhile together, I really have thrived under the pressure. Therefore, not only is the idea for a massive opus no longer just that but exists (at least in two parts) on paper, but the theme that will hold it all together is clear: mental health.

I feel there is a great hole here, waiting to be filled.

randoradar#3

Nobody has experienced mental health difficulties in quite the way I have. It has created a unique mindset and outlook. Every word written is, like it or not, affected by that outlook: therefore if I can write a 70,000 word fanfic to a strict deadline I sure as fuck will make a poetry project come to life in the same timescale. What needs to happen is the setting for it all, and that’s already happening.

Putting the right foundations in place is the key, it is apparent already how that allows the business of words to correspond with ideas. There’ll also need to be a soundtrack too, and that’s being built on the newly-introduced daily walks around the block (note my block for this exercise is 4km long) as the rhythm of movement then corresponds to the business of lyrical suffrage. Trust me, that’s what it will be.

A great deal of suffering will take place for this art.

randoradar2

Many things are aligning, and radar is pinging back new places to be, other positions to consider. Every time something positive takes place that too sets up reverberations in the ether, possibilities previously not considered. I like these ideas being sonar, sounds from nowhere pinging backwards and forwards until their target is located. It appeals to the science part of my brain.

Strap in guys, things are about to get surreal.

Run To the Hills

Last week will be remembered for many things, but most particularly because I created two submission packages from existing work and sent them away with possibly the minimum amount of stress I’ve ever experienced. Normally, such things would take a phenomenal amount of mental energy to put together, and then get sent off with often ridiculous amounts of perceived expectation.

Not this time. I cannot allow myself to pin hopes on stuff like this any more, it’s ridiculous considering how low the success rates are for acceptance. Instead, Patreon grants me the opportunity to create original, important content at my speed, in my own space and, most crucially on my own terms. This has become the expectation and anticipation that’s required to keep my brain both alert and comfortable.

Selfish

This means that my commitment to new work can continue unabated (and it is, got a massive project planned for June, layout and contents already sketched and ready to roll) without the stress of feeling there is no professional momentum. That’s what this has all been about in the last two years, getting noticed and putting myself about which is proceeding as well as can be expected in the midst of a pandemic.

After that, it is hit and hope, which has always been the case when all is said and done. At least right now it’s a cheap lifestyle that’s being lead, I’m able to still create content with a measure of confidence and belief, and the wheels haven’t fallen off anything for AGES. You celebrate every victory as they happen in situations such as this. It is a daily process of staying calm, focussed, whilst producing something as progress.

After that, everything else is a welcome bonus.

2020 Week 20 Poetry: Anger

In the past few weeks, strange things have begun to transpire in the poetic parts of my brain. It’s not a worry, far from it: daily practice and a new openness to moving words into different spaces that were previously unexplored is producing some fascinating new combinations. Undoubtedly this will continue to be actively influenced by the introduction of video content into the equation.

I have an idea for my first full collection.

There’s a new pamphlet in the works.

What a time to be creative, and lucky to be alive.


Anger

What began, only remains sacrificed with ungodly zeal, altered outlooks reveal disquiet,
unexpectedly adroit, passively regressive understanding, Zen demanding.

Insidious fuse, unconsciously lit, don’t think she’ll get away with it: scarlet womankind,
sexuality unwinds, leisurely descent, decent laments loss of splattered purity.

Anger explodes, abode decimated, consecrated ground shaking; liberties taking quickest
path, highest land abandoned, no longer sacrosanct.

As her lust settles, desired reanimates, immediate placation of destructive situation...
everything resisted; actively assisted returns to movement, circumstance.

Such drama, crisis cavitates creating pressure, tension’s taut suspension; what was end
begins renewed; gentlest caress quietly begins redress.

Strong

It’s time for your weekly update of The Poetry Experiment, which has now come to encompass not only a general reaction to Lockdown, but responses to specific COVID-related events. There’s a lot been done in the last week as well, which is reassuring when I’m not really in a particularly productive place right now. It can’t be helped: we’ve lost a family member this week, and there’s been some other drama to deal with.

It’s time to focus on positives.

Number of Poems Written: Eight.

monkey typing

I made myself last week sit down and plan how this ‘story’ is going to pan out, because that’s what this is. There’s a period of reflection before everything went mad, a focus on three days within that period, and a series of emotions I’ve felt as a result of the entire event. Poems are emerging quite organically as a result: of the eight we have thus far, there’s one at the start, five in the middle and two at the end, making a basic framework.

I’m pretty pleased with what’s been produced thus far too, and how things are fitting into the ‘play’ I’ve imagined this could end up becoming. The next stage will be to read through everything and start focussing on the feelings and descriptions I think are missing, that form part of my lockdown experience and should as a result be recorded. I’ve set myself the notional target of the end of this month to have all the pieces in place.

Emotional Investment: High.

goodmorning

We have not as yet reached the ‘everything sucks, I hate myself’ part of this project. That’s always a massive bonus, that if I can get the majority of the hard graft done before paranoia and anxiety set in, so much the better. It helps considerably having Patreon as a constantly running set of deadlines to hit going forward, so there’s always this background awareness of what needs to happen, and has to take place.

As a displacement activity today, in an attempt to see if I can get my brain to do anything else but mourn a loss and grieve over other things, I’ll be pulling poetry together for some online submissions. As these aren’t being specially aimed for, as is the case with this work, that should lessen the emotional impact of worry over whether my stuff was ‘good enough’ It is the recycling task I should do more of going forward.


You can expect an update on progress in the next week.

Love’s Great Adventure

Today’s been all about getting dragged, kicking and screaming, outside your comfort zones. I have pulled some Patreon work because, after due consideration, it wasn’t good enough. I’ve been writing experimental poetry all afternoon and it’s making me feel really uncomfortable. Oh yes, and then I laid my life bare in quite an unexpected fashion via Social media…

I’d not anticipated how hard this would be until the weekend, when part of my general discomfort was around just how much of my past would be hauled up for general inspection. As it happens, there’s a lot to be said for these choices being made as the right ones, when it would have been an awful lot easier to pick from some generic, obvious alternatives. This way, I will be challenged.

These first two polls are now up and running, and the results will be known in 48 hours. I’ll throw them about a bit later today and tomorrow too, just to see if I can garner a decent range of responses. After all, you never know who might pick these up and ping them into the Void for me… and it means that the results will end up as a genuine surprise. I’m not checking the polls until they’re done.

Once I know the results, I’ll fill in my graphic, and then we can get on with the business of writing. The plan is to have all six drabbles up in their own separate area by the end of the month: if this is successful, we’ll repeat the process with some new things later in the year. As always, it’s about working out whether your content is interesting enough to attract new people not only to your work, but also to potentially stick around as an audience…

2020 Week 18 Poetry: Sow

Poetry is having a rest next week, because I’m pretty rammed in May as it is and taking on too much, I have discovered, is a sure-fire way to burn me out. Therefore, here’s my last bit of stream of consciousness for a while. I am proud of these as a group of five, and we’ll probably revisit/revise this lot a bit later in the year. It’s useful to allow your brain space to shift and move.

It is amazing what happens when you relax and let words flow unhindered…


Sow

Here we are, staring disconsolately, fallow time between main course and dessert, lost in relationship’s parched weeds, future; tense, relationship.

Two plated, hot then cold: between minimal, extravagance once expected, now deflated, content remains unknown, grown, soon cast aside.

Fork civility, spoon-fed platitudes scraped, pushing scraps abound, innate remnants, sitting tenants pile pointless platitudes, resentful moods.

There we go, separate bills, fallow lives, consequences reaped; to sow once more, swipe left field-hand, season begins again.