Ballroom Blitz

This weekend, for the first time for a while, I willingly wrote some poems.

All around me, almost constantly, is the reminder of ‘it’s not what you know but who you know’ that makes the difference. I could try and pretend it isn’t that way but like it or not, this is part of your rite of passage, in whatever new fandom you find yourself working within. Call it a community, commune, movement or any number of other adjectives to describe a bunch if people with a similar interest. Needless to say, you’re in fandom.

Entering the Poetry Fandom in my early 50’s is quite intimidating, but this is not unusual. There are lots of women doing this, I even read an article about some of them. The key to escaping mediocrity’s gravity is to get published or lucky on Social media. Both need a phenomenal amount of work. I’ve only really been at this for a shade under two years. That’s no time at all, and there’s this continuous reminder, day in and day out, that I’m not doing enough.

Fuck me, woman, you only just got started.

I’m ready to work again: there’s a personal project being tinkered with starting this week (once I have a residency proposal sent off to the local art collective) plus the normal run of creative outputs, but let’s be honest, none of this is keeping me in chocolate and new trousers, so it is time to see if the Dial a Rhyme service might have some merit. Honestly, what’s the worse that could happen?

On top of this, there’s a bunch of other things happening, at least one of which is deeply personal. I gotta hope that doesn’t derail everything else, but it’s always a chance. That’s the thing with life, you never know what’s going to happen next. So, do you sit and wait for opportunities to come drop into your lap, or do you get yourself out there, waving your wares to the World, in the vain hope that something might stick?

This new career isn’t going to fashion itself. Down to the business of shameless self-promotion.

November Short Story: Piper

This story was first serialised in 30 daily parts via the @MoveablePress and @InternetofWords Twitter feeds at 9am and 4pm GMT respectively. It is now reproduced in a complete form, a number of small edits and corrections made to improve narrative flow and maintain correct continuity.

Enjoy.


Piper

Maggie Piper can’t sleep, won’t take the chance she’ll miss her son again. It’s 1.15 am, brain’s ramped up on coffee, waiting for when the phone sounds a tinny, dissonant alarm at 2.26. Then, without fail, Alfie will start what’s become a weekly, unstoppable sleepwalking ritual. When her husband left in the spring, things were initially difficult between mother and son. Alfie was quiet to begin with, and for a while said nothing at all at school or to friends. Then, Maggie decided to just tell him the truth, no frills. That altered a lot between them.

He admitted relief that Dad had left, watching violent abuse meted out after drinking and late shifts and had no idea how to help. His father had ignored him for years, the loss was nothing he felt either angry or upset about. What mattered more was their happiness going forward. For a few brief and glorious months, life had been full of smiles and laughter, but after the boy turned 12 in October, something changed. There are gaps in memory that cannot be explained, irritable behaviour, and now, twice a week at 2.26 am, he leaves the house without fail.

She took him to her aunt’s in Blackpool at half term, hoping sea air might help. He was less irritable, but still found his way outside regardless. There he stood, looking down for six minutes before returning to bed. She is too scared to lock doors, no attempt to restrain him… There’s a chirp from the phone, and immediate confusion: who could be sending texts at this time in the morning? Looking at the message, Mags’ brain is simultaneously amazed and frightened by what she reads:

‘My son is going to sleepwalk again tonight too. You are not alone.’

The first thought is to respond but there is no time, as second message appears:

‘Please pack an overnight bag. A car will come at 3am. Don’t be scared, please get in, because if you do we can provide all the answers required to not only help but support you both right now.’

‘How can I trust you?’

‘30 kids in Manchester wake up twice a week like him. One goes to Alfie’s school. We want to help them all and all the other kids across the country who have been doing the exact same thing since October 15th.’

‘There are others?’

‘There are thousands.’

Mags’ not scared any more, but comforted. If there are others like this, there will be a reason why this is happening, and if someone else is already dealing with the issue, she should be involved. There’s twenty minutes before Alfie walks; just time to pack a bag for them both.


It’s still dark as car rolls into the Jodrell Bank Discovery Centre. Alfie is asleep, head in Mags’ lap seeming far more relaxed and comfortable than she’s seen for a while. The driver, Bill, is a genial Mancunian but has kept silent to allow Mrs Piper time to read as they drove. The folder she’s been given is both reassurance and panic combined: across the UK, since October 15th, exactly 2027 children have been acting as a unit in Manchester, Liverpool and the market town of Nantwich in Cheshire, constituency home of the current Prime Minister’s family.

Elicia Redmayne, eldest daughter of Charles Redmayne, PM, is the most high profile of the 2027 sleepwalking children at the exact same time as Alfie. He’s also absolutely the last person Mag expects to have opening her car door at 4am: he waits, looking more nervous than she is. The papers have been full of his absence from Westminster in the last week: is he unwell? Is there an international crisis in full swing, with government leaders across Scandinavia and Europe also disappearing from public life? Mags now knows real reason why Redmayne’s gone AWOL.

He and his party may be disliked by large portions of the country for socialist policies and a distinct focus on environmental issues over encouraging profits, but there is no doubting the unerring commitment to three children after wife died from Breast cancer a year previously. This man would do anything for his family, and for others. Redmayne takes a still-sleeping Alfie in his arms, carrying the boy to a newly constructed area on the Jodrell Bank site. Khaki tents have been erected: portacabins mark temporary walls of a site where armed guards stand.

Perhaps before it would have scared Mags this place is protected but now there’s an understanding of the scale of Alfie’s significance, the Army serve as reassurance. It isn’t just kids in the UK who are acting as a unit, but across the globe, and to an extremely specific pattern. There’s a medical team waiting already, because this young boy is the last piece of an incredibly complex puzzle that’s taken since October 15th to decrypt.


Mags isn’t very hungry, pushing scrambled eggs around her breakfast plate. This temporary mess hall might be packed, but she feels very much alone. It’s almost lunchtime and Mrs Piper is exhausted, yet too scared to sleep. The briefing she was given still rattles around a brain that is simultaneously happy and stunned: her son is the last of the 2027 UK children to be located. This makes Jodrell Bank unique across the World.

Tonight sleepwalkers will be watched and monitored as the first complete unit to be gathered together in one space. Media is already saturated with this revelation after the story broke in Sweden the previous day. Redmayne will therefore address the nation in the next 30 minutes. The Army have already taken over the entire Butlins holiday camp in Skegness as the only place where 2027 children plus families and observers can be kept together without major issue. As soon as Alfie’s tests are completed they’ll be driven with the PM’s team to join the group.

Tonight, at 2.26am, all kids will be allowed to roam free across the camp. There have already been hints of individuals heading for each other, groups forming before moving to create some kind of shape or message. Various theories will now be examined under controlled conditions. Mags already knows what’s going on in her heart, and that’s what frightens her most. This is no different to all the times husband would manipulate them both, his threats of violence if they didn’t do as they were told. Nothing good ever comes of messing with other people’s minds.

Even if all this could be precursor to some wondrous, life changing event, Mrs Piper is already thinking ahead. Considering every possibility was how her soon to be ex husband was finally found out, his affair and misuse of joint cash exposed with quiet, unemotional efficiency. Her father, an ex Army man himself, had taught many lessons in survival. Always know your exits. Plan for the worst, so the best can be enjoyed as a true surprise. Most importantly, however charismatic and beguiling they may be, never believe politicians know little or nothing.

Watching the PM on screen in a now silent, rapt Mess Hall, all eyes are on his speech; Mags knows he’s lying. They’ll have a chance for conversation on the way to Skegness, and then she’ll push him for the truth. How he reacts will dictate what happens next to Alfie, and for her.

This is not the World she woke up to yesterday.


It is not the World anyone expected today.

Trying not to look back, it is impossible to ignore raging flames in Range Rover’s rear view mirror. Four children huddle on the back seat, too scared to even cry.

Maggie Piper is numb.

At 2.26am, every kid at the holiday park had woken simultaneously: not one sleepwalked. Instead, from their mouths issued noise unlike anything heard on Earth in tens of thousands of years. It was anguished alarm, sending unexplained fear into the souls of each assembled parent. Redmayne had argued long and hard against kids being bought together, but the Scandinavians were adamant. This had happened before in their history; no harm had come to any of the children previously. This time, circumstances were different. Many things had changed in a century.

As connections were lost with Sweden, Norway and Denmark, the UK Military’s communications were ruthlessly severed. These children’s presence alerted the first wave of invasion craft hidden on the far side of the Moon, that Earth was sufficiently self-aware to present a problem. This planet had solved a genetic puzzle planted by the Korsal 8000 years ago, ingrained to determine human’s level of sophistication, alerting when bodily harvesting should finally take place.

Redmayne and Mags, plus their children, are the only survivors from a deadly first strike.

Welcome to the Cheap Seats

Those of you paying attention will notice that the website looks a bit different to the way it did on Wednesday. I’m quite pleased not only with the layout, but that it also allows room for expansion and addition going forward. Now, it is time to fill it with suitable content.

The Posts

#Blogmas is planned and (as I’ll be out tomorrow at the first of two Christmas dinners in the next two weeks) the first post will appear by the wonder of scheduling sometime tomorrow (probably about 5-ish as that’s a good time to maximise traffic.) All the other bits of my December plan are well into production, which includes a vital couple of hours editing a novel so it is complete and to my satisfaction.

I can do this all leading up to Christmas, right?

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A large majority of content can be knocked off beforehand, which means Sunday will be a bit hectic, but it will be worthwhile for the free time that will then be produced. After that? Just gotta remember to sleep and not scoff all my Advent Calendar Chocolates at once, that’s eminently doable. There’s even the possibility of some unscheduled poetry seeing the light of day: there’s a couple of pieces from rejected submissions earlier in the year that can be spruced up and shoved out again for a second try…

From Me To You 2018

Oh, and that reminds me, I have one more placeholder to stick on Twitter before I start writing my personal blog… the first dozen haiku are written. Now it is time to pick the backgrounds and get started with artwork…

The Closing of the Year

After due consideration, our content for December is now finalised.

#Soundtracking December 18

I’m going to use December to re-introduce myself to the World in general via the medium of #Blogmas. It might grab me some new readers, which is never a bad thing. It also gives a buffer for existing content to be built up (see last Friday’s post) and for some much needed editing to take place of older stuff on the site. Mostly, this is an excuse to give everything a good clean and rearrange ready for 2019.

#Narrating December 18

There’s the normal Twitter-based stuff too (as we discussed last week) with the addition of the two playlists above. I’ve spent the last few days getting the static pages for both #Soundtracking2018 and #Narrating2018 up to date and let’s be honest, this is almost a year’s worth of work to feel justifiably proud of. I’m already looking forward to the next 12 months of content. Have you SEEN how much stuff is lying about undiscovered on YouTube???

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Finally, it is time to go hunting for ONLY THE BEST Christmas .GIFs for your entertainment and delight via Twitter. We have a plan, and it is AWESOME. Also, so much shonky stuff this year that you’ll be mildly staggered at the minutes of work involved…

Gift of GIF-mas

Honestly, what else could you possibly want from December?

Sleigh Ride

It’s mid November, and although it might be a wee bit early to shove up the decorations, we can start the process of planning for next month.

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Americans are about to do that Thanksgiving thing shortly, but let’s be honest, a day is not enough. I have loads of people to thank in 2018, far more than I could ever fit in a blog post or a single Tweet. Therefore, for 31 days in December, we’ll be chucking the normal schedule to the wind. Instead, you get a whole month of me using the GIF collection in new and exciting ways, with tons of people who have helped me enormously getting their required moment in the sun.

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The Short Story for December has been heavily influenced by the recent commemoration of the end of World War One, and you can expect content under in the #Narrating2018 and #Soundtracking2018. It’s almost a year since we started this journey, after all. That’s a lot of YouTube content explored, but there is so much more still to come.

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I’ll also be taking the opportunity to edit and clean up all sorts of places, including the year’s output here. You can expect NEW GRAPHICS and some spiffy ways to help me out as the new year approaches. Mostly, December is me giving back to you guys without whom none of this would be possible.

I hope it’s a great month for everybody concerned.

In Pursuit of Happiness

Yup, it’s that time again. November is (checks calendar) NEXT WEEK and so, we need a graphic for the upcoming ‘write a novel in a month’ journey and some definitive idea of what the fuck is going on. Fortunately, both of these things are well in hand.

NaNoWriMo

If you don’t know what NaNoWriMo is, here’s my mate Tessa explaining why 50k words in a month is such a big deal. For me, this is my eighth year taking part, and (hopefully) the fifth year required wordage will be complete at the end. We’ve discussed the plot here, and I’m not going to spend any more time going over details. However, I will find the time to share some of my personal insights over a decade, including that horrible moment when all the planning goes to hell and characters rebel against your well-organised planning.

It’s happened for the last three years and already, I’m hearing mutters of discontent from my major players…

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However, there’s a ton of stuff that needs to happen beforehand, including a rather important submission that is likely to take up all of my Monday. Therefore, it’s high time I got the backlog of work sorted and the new stuff prepared. All things being equal, we’re going to move into a new phase of work (and visuals) beginning on November 1st.

I’ll see you there 😀

Thank You For the Music

We’re BACK in action after the much needed and utterly awesome weekend away and this morning, we’re reminding the room all about next month. NaNoWriMo gets it’s own separate post on Wednesday but for now, I’d like to explain how #Soundtracking2018 and #Narrating2018 fit into next month’s timeline.

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#Soundtracking2018 this month encompasses 30 songs which inspired this entire ridiculous endeavour to begin with, giving a hint of what you can expect from the poetic ‘narrative.’ A large portion of the action takes place in Paris, a city with huge personal significance in my own existence. Needless to say, in many cases, the song you’ll hear will mirror the scenes imagined in order to create the haiku.

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On the flip-side (and as a possible spoiler as to what you’ll see play out across the month) the #Narrating2018 selection is all about coming and going, arriving and leaving, or the beginning (and end) of journeys. It’s also an opportunity for me to throw in more of my favourite romantic comedy moments. I’m a sucker for those stories, and I doubt that is ever going to change. So, next month, you get to share that with me.

Symphony

Once it’s all done this project is going to have it’s own space on the IoW website, and I’ll be redesigning the space too allowing the accommodation of further projects of this type. I totally love the whole haiku business now, and it’s become an indispensable part of daily existence.

Let’s hope I can do my own lofty aspirations justice.

Down Among the Dead Men

I’ve taken the opportunity, in the last week, to streamline just about everything I do online. If the plan is working there will be no discernible change to the landscape that is immediately apparent, and in this regard things appear to be moving quite well. Next month’s planning’s already in an advanced state, and we will be pursuing the project that was going to happen in October with a few tweaks.

Symphony

In simple terms, that means the following:

  • Daily Haiku on Twitter is replaced by 30 Haiku with an overarching, cohesive theme (Symphony). The entire project will then be archived in a new area on the website.
  • Daily Micropoetry continues as normal on Twitter.
  • #Narrating2018 and #Soundtracking2018 will both run in tandem with the Symphony theme: more details are coming next week
  • November’s Short Story (Piper) is not part of this project, and also continues as normal

Also, EX/WHI will be back up to date starting on Friday and will run in tandem with my NaNoWriMo updates, which will be taking over from all other content until November’s done. There’s then going to be a soft relaunch of the Internet of Words with new graphics and sections for December 1st.

Following so far? Good stuff.

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This is becoming both enjoyable and exciting again, and not like a job, which was the entire point of the Project to begin with. This is a place where my creativity dictates progress, and not the other way around. Allowing that to grow and expand’s been a tough ask across the last few months, but Symphony as reawakened the creative synapses, plus having taken a break from mass-producing submissions has been a great help. There’s still four more poems that need to be completed in last-pass editing polish Hell right now, but that’s not a problem.

I’m all over the faffing, and it is GOOD.

Goodbye

Sometimes it is hard to accept that occasionally, progress needs to be sacrificed in order to allow growth. Having begin to grow fruit this year in our garden, that notion is very much being learnt as plants rot in the ground that’s either been far too dry or now excessively wet. The strong and healthy survive, whilst inevitable losses will be removed. Then comes the choice of what gets dug over or composted, and what remains capable of surviving another year.

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Those of you paying attention will notice that, across the next week, a number of posts on this site have been composted. I’m doing a quality sweep, in effect, meaning the best remains but the rest is detached. The features that have been introduced in the last few weeks will be reviewed, and after the NaNoWriMo ‘break’ in November we’ll decide which ones return long-term. Everything that doesn’t make the cut gets electronically shredded, but as no more than about a dozen people saw this stuff? No great loss.

What won’t be removed, and is only going to get stronger, is as follows:

  • Short Stories
  • Weekly Poetry
  • YouTube Playlists
  • Special Twitter Projects
  • Episodic Fiction
  • Special Events

With that in mind, Wednesday this week is quite important.

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I’m holding a Virtual Tea and Talk Day on Wednesday 10th, this will include (obviously not real) tea and cake but real talk about how my mental issues are under control for the first time in (at least) two decades. It will be about offering understanding and support too, plus there’s a good chance I’ll be trying to get some of you to part with your cash. 

Yes, there will also be haiku.

I look forward to seeing you there.

All Change

I’ve never been very good at change. It takes time, effort and often quite a lot of stress in order to cope with the unexpected, or at least it used to. This week, a couple of rather significant Real Life issues dropped in my lap and neither are avoidable. As life is what it is, that means that the massive set of plans for October need to be shifted, as there will simply not be enough time to complete them to a level that I’ll be happy with.

So, what does this mean moving forward?

The Spaces Between

Next week includes National Poetry Day on the 4th: for this I’ll be presenting 24 Haiku, one per hour for the entire day, with some appropriate visual accompaniment. Because of previously stated RL upheaval, the Symphony project is being shifted to start on November 1st instead. Your weekly haiku and micropoetry are back to cover the gap, plus a return to scheduled daily content following last week’s ‘break.’ As for #Narrating2018 and #Soundtracking2018?

I’ll give you those details tomorrow.

Last Gasp

If you enjoyed last month’s Short Story, October’s will be of interest (don’t want to spoil it for you, tune in on Monday) and undoubtedly some other gubbins will turn up. The only submittables this month are four planned poems, and they’ll be easy enough to complete… then there’s NaNoWriMo coming up, and we’ve already got a plan in mind for that.

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Excited yet? I am. No, REALLY. So much stuff to look forward to, and finally the ability to grasp that if you want everything to work, that requires effort.

See you on Monday 😀

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