Coming Around Again

“Who controls the past controls the future;
Who controls the present controls the past.”

George Orwell, 1984

A phenomenal amount of my life is spent writing: it has become the constant, therapeutic heart of existence. When it is difficult to explain something, or a subject invokes anxiousness or unhappiness, that’s a sure-fire sign that there’s a part of the past which has not been reconciled with the present. Most times that also means attacking the issue head on so that life can continue unabated. Except, for a long time, there’s been a period of the past which has been left alone for a very good reason. Last month, all that changed.

I’ve written about the precise moment that altered my outlook on Substack, but it’s not the whole story. There is so much complexity involved in this and the time period around it that, even fourteen years on, there are knots of emotional terror and uncertainty that are yet to be unpicked. So, it seems like the right time to do something about it. I’ve set up this mini-site with one intention: to allow myself the space and time to explain what happened around the period of my life in 2009 when I came close to committing suicide.

Warcraft was my life at that point: as a mother and wife, self-esteem was non-existent and there was depression unlike anything I have experienced since. What happened to change this was the belief that writing might yet give me a purpose, and it did. If it were also as simple as that, then this would not require an additional narrative, but there is a lot more at play. As the poetry is written about that time and what happened afterwards, there is already the beginnings of acceptance and closure.

When people were asked via social media what was the first thing they associated with Warcraft, friends and friendship was the top answer. It’s easy to forget sometimes just how many people there still are in my life who first found me via Azeroth (the home world on which the Warcraft factions, the Horde and the Alliance exist) and that countless people still live and play there. The reasons for my final departure have very little to do with the game itself, and a lot to do with the people who run the company. It does not mean those times are tarnished too, a fact that’s only just beginning to become apparent.

There are a lot of stories to be told, too: some of them reflect the early days of internet stalking and online abuse. Others document the terror of how online relationships can suddenly and unexpectedly go sour. These moments however are massively outweighed by generosity, camaraderie and sheer brilliance in both heart and spirit that were encountered across multiple virtual continents, in situations that still have the potential to make me cry unprompted, or laugh until there are tears of joy. It truly was the best and worst of times, and it is time to accept both for what they were.

In time, issues can begin to be reconciled, in a manner that makes me feel comfortable that the right road has finally been travelled.

This is a story of how a virtual world allowed one neurodivergent to live better in the real one.

#Instaverse: Lux Perpetua

My daughter’s currently obsessed with a couple of songs about the inevitability of death, whilst I’m over here, just grateful to hold it together for another day and not look like I was flattened by a steamroller along the way. This is named after a piece of music which my husband considers samey algorithmic nonsense, but I find rather soothing. You can’t have everything in a marriage.

#Instaverse : April 28th, 2021 : Lux Perpetua

#Instaverse: Lies

I am becoming acutely aware of the disparity of what I know is taking place around me at any given moment and how my brain processes this information. It’s a disconnect, and this is not the first time I have felt this way before. It’s another part of the puzzle which I’ll deal with when I talk to the mental health people next week. Until then, here’s the reminder that your eyes sometimes lie to you because they’re not fast enough to process reality as it happens…

#Instaverse : April 27th, 2021 : Lies

#Instaverse: Blank

Monday’s optimism was a little tarnished today, mostly because I forgot Rule #1 of the Internet: don’t let other people’s success diminish your own achievement. Sometimes it can be hard to be objective, and then you remember all the good work you have done and everything is okay again. Everyone started somewhere, after all. This is as good a space as any for me to begin.

#Instaverse : April 26th, 2021 : Blank

2020 Week 17 Poetry: Far

I have absolutely no idea how this happened at all. It just fell out of my head in five self made-pieces, last taking prompts from previous four. It’s odd sometimes how these things just happen.

It’s a long way from where I was on Monday to where I am now.


Far

There to here’s strained gasp away
emerging resignation
pain never leaves anything, well
separation anxiety
stitched within this soul.

Here was now, a breath ago
hidden panic, exposed
juxtaposed across decades
disturbs uneasy timeline
stuck tightly to my soul.

Redefinition, emerging
greater confidence, self-defined
unexpected truth unwinds
experience repeated
expletive, summarily repeated.

Then to now, alteration;
recognition what before, no longer
adequate observation
delayed participation
reassign priorities, regroup.

There to here’s return to form
hidden panic assuaged:
unexpected, belief transcends
delayed, anticipation
emergent; new direction.

2020 Week 16 Poetry: Me

It is odd, sometimes, how the things we least expect to emerge in our work end up doing just that. This poem is a case in point: the events of this poem are 100% true. The verse maps out a real, difficult event in my late 20’s. There is one deviation from fact, for the sake of a convenient conclusion, but this will be the second time this particular moment has surfaced in my poetry.

I know why this happened, at this point in proceedings. Lockdown is taking a quite particular mental toll on the trauma-affected areas of my brain: last night was a case in point. Understanding that this stuff is happening is one thing: dealing with it, when it happens, another thing entirely. Getting it out of the brain and onto a page/screen is undoubtedly helpful, however.

Next week’s poem, as a result, is a differenty beast entirely.


Me

inhale
calm, nerves flattened
introductions
largely unnecessary
we’re all friends here
except, over there
errant thoughts
middle finger raised
not this again

exhale
sudden, unexpected
rogue elements
since when was he
on my side, big man
small aspiration
celebrations
largely unnecessary

regroup
now what, possibly
strong assertions
largely unnecessary
strategic withdrawal
consider enemy
unexpectedly
anything but

accept
possibilities, blossoming
directions shift
negotiations underway
largely unnecessary
mind’s already sold
axis powers pact
forgone conclusion

success
largely unnecessary
bigger picture painted
sacrifice worthwhile
middle finger salute
achievement unlocked
exit, stage left
phone number, meet hand

2020 Week 15 Poetry: Ray

It’s been another week of lockdown complete, with poetry becoming easier to tap into. That’s an encouraging sign, considering that I’ll be dipping my toes back into competitive submissions after Patreon work’s done. The biggest single issue, of finding a cohesive and credible voice, seems to have been properly put to rest. There was no a proper comprehension of how I should sound when presenting poetry until quite recently.

Being taught is one thing, as I have discovered in exercise, but grasping the reality of that teaching is another thing entirely. Comprehension is the bridge that has always been lacking. How do I move from here to there without losing the essence of what I am? How is it possible to combine subject matter with the right level of objective emotion? It is happening now, of that I am confident.

The next step, undoubtedly, is to put these new skills to work.


Ray

Nature’s affirmations, cautious life emergent;
darkness is shrinking, sunlight’s warmth singing.

Anger released, exhaled; everything goes, nothing retained,
cleansing rains: vital pulse, regained.

Cool skin, thawed heart: blue backdrop, green shoots:
framed palette perfect, backdrop painted.

Grow strong, daylight’s confirmation: turn, upward destination,
larger space not trapped below.

Confidence reborn, harvest ready; life takes time,
relax, allow world to match pace, good grace.

2020 Week Four Poetry: In Darkest Days

I’m quite tired. Fortunately there’s only five more days of exercise for REDJanuary to complete. Fingers crossed I will not have a repeat of the trauma relapse that happened on Thursday for a while, and tomorrow there’s a new back shave and hairdo and that is always something to look forward to. In the meantime, I have nothing to say about this poem other than it was a useful exercise in stream of consciousness writing, and that I’m likely to come back to this at some point for a rewrite.

That reminds me, I need to sort out the February headers tomorrow…


In Darkest Days

Monday’s muted hue reminds: don’t quit today, not finished here; mind left awry, piled Jenga high each countless resolution neatly filed, marked decades past.

Tuesday’s ruby heart pumps strong: another mile, muscles dictate; progress made far past
expectation, stamina evolving unpredicted revelation.

Wednesday wanes, impostor syndrome looms, all alone ‘cross sweat stained rooms; bad moments burnt, kindling bright: evening’s progress strong, consistent pace.

Thursday’s emerging, different past, everything placed: inescapable reality’s thrall deposed, unopposed ascendancy guaranteed, unstoppable forced.

Friday doesn’t mind, forgiving sins: dice thrown, snake lies slain; Eden’s burnt remains. All this will pass, promise paid, toss broken gains.

Begin again.


 

2020 Week One Poetry: That Kills Us

I stopped writing weekly poetry for Social media when it became apparent that work could be used elsewhere… to maybe make me some extra cash, or win a contest. After a year where neither of those things have come to pass, it is time to go back to what was working best for me in terms of creativity. This is the equivalent of drawing every day. It is means by which my craft improves.

These words are the best ones.

That means 52 poems, including holidays: Monday to Friday (or in this case, three days for the start of the year.) Where months start mid-week, I’ll write less (Week Five will also only be three days long) giving time for a bit more rest. The proviso here is everything is written ‘live’: no weeks of polish. If it’s a verse a day for five days the original selection will be skeleton-built the week before and amended on the fly.

That means next week’s five verses are ready to roll starting tomorrow but might totally alter when I post them. We will see. 

For now, this is a solid start.


That Kills Us

Repetitive, blamed infamy
always somebody else
pointing finger, insinuate
your problem, halved
segment, rotten whole.

Slope, madness descends
cackling uncontrollably;
finger given, on the way
past circles held, restricting,
other people’s selfishness.

That kills us, possibility
this time, perhaps, is better;
sad inevitable, lies:
hope only held eternal
if goodness sets her springs.


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