There’s No Other Way

Following the weekend’s revelation that my mental issues are scuppering progress on editing old work, we’ve made solid progress on a new approach to writing long-form fiction. In fact, as it transpires, this approach is a bit of a revelation:

I speak a bit about the process on the Other Blog: it was meant as a means to release mental pressure, and give me something to aim towards going forward. Buoyed by this, tomorrow is the day when I work on the short story I’ve written and not yet completed that I’d like to enter for the formal contest that began all this trauma in the first place.

If this works to my satisfaction, there’s a second short story to follow.

bloodydoors

However, right now I’m trying my best not to be obsessed with doing just one thing if something else pops up, comes along and demands attention. In practical terms that’s trying a new submission avenue this week, that doesn’t have a deadline and demands what I consider to be my best work. I have no idea if it will work or not but what is apparent is how much the process is being enjoyed. That’s what’s been missing for the last few months.

If I can find the things that truly spark joy when creating, there’s a far better chance of something finally being considered as good enough.

March Short Story: Hysteria

This story was first serialised in 31 daily parts (I know the graphic is incorrect) during March 2019 via the @MoveablePress and @InternetofWords Twitter feeds [9am and 4pm GMT respectively.] It is now reproduced in a complete form, a number of small edits and corrections made to improve narrative flow and maintain correct continuity.

Enjoy.


Hysteria

‘You’ve not heard, have you?’

Harry is the Senior Sub and my liaison since January. I was here to catch up with Connie in Lifestyle, returning her West Wing DVD’s, and he’s collared me by the vending machine.

‘I don’t look at social media every 10 seconds, what have I missed?’

‘Your favourite bonkers actress gave possibly the most honest post-Golden Globes interview anybody ever wished for.’

Looking at my watch it’s 3am in LA. Alice Hooper was a shoe-in as Best Supporting Actress for a remarkably subtle turn in ‘Surviving’, a World War 2 blockbuster. The win I knew about, because I’m in the same WhatsApp group as her publicist. We’ve kept in touch since graduating from Guildhall together: Pip and I shared a curry the last time she was in London. This turn of events is a surprise, and isn’t being spoken about privately as yet.

I know what Harry’s going to ask this freelancer next: the paper’s editor can spot a story half a mile away with headlights on long before anyone else. What needs to happen now is me at a workstation, firing up YouTube, in the hope this interview’s bonkers content has gone viral. Polly Acres has the footage on screen already, trawling it for comment, and is happy to re-run the three minutes and twenty three seconds in its entirety. The first thing that strikes is Alice isn’t herself: both hands grasp the award, working hard to keep a shake under control.

In two hundred and twenty three seconds she calls her co-star a misogynist devil, attacks the director for sacrificing historical accuracy over trite one liners and confirms the production company insisted that their CEO’s daughter be given a totally pointless walk-on cameo role. None of this is lies, if rumours online were to be believed, but they’d all been strenuously denied or redacted. For Alice to pretty much rubbish everybody she’d worked with in such a short space of time is an impressive show of defiance even for her, but that’s not the killer.

The final question comes from this paper’s Entertainment editor: what do you have to say to your fellow nominees? Alice stares straight at the camera, eyes full of tears:

‘You’re wasting your lives. Nobody cares about you, or what you’ve done. It’s time to change profession.’

The press room falls suddenly silent as Hooper extends her arm, before theatrically allowing the Golden Globe to fall to the ground, where it quite impressively disintegrates into several pieces. As she walks away, there is undoubtedly signs of a limp that wasn’t there yesterday.

I’ve interviewed Alice eleven times in twenty years. She’s never done drugs, remains proudly bisexual: last time there was a lover in her life was over a decade ago. Their death from a pulmonary aneurysm had profoundly altered both outlook and approach to the entertainment world. As the expert on Hooper in the room, Polly is told the facts: this woman will have drunk water all night, it isn’t prescription pills or drugs talking. No slur, eye contact with cameras the entire time. This is just her and utter truth.

The question we should be asking is why.

My phone ringing at this point would normally be a massive inconvenience, until I notice the caller ID: Harry’s eyes widen as I show him, before connecting to Pip. She should be asleep, but if the call’s being made now, I’ll be on a flight to LA before the end of business today.

I know what’s going to happen before it does.


Eleven hours on a plane and a small fee for internet is all I need to get back up to speed on Alice’s life to date. There’s an immediate red flag: an appearance on a US genealogy programme was suddenly cut a couple of months ago. Buried away in a Variety byline are the details, language which is quite obviously chosen by someone with a legal eye on proceedings. I had no idea such programmes even existed, and with time to kill there’s an opportunity via the flight’s entertainment system to watch an example.

Fourteen minutes into this particular episode, elderly male celebrity makes jokes as he’s asked to swab inside his cheek for a DNA test, and I’m curious. My mother used to tell me I was wasted as a journalist and would have made a fantastic policewoman instead. She was right. This would have been something Alice would have loved: history, romance and intrigue around her family who emigrated from Italy to New York in the 1880’s. What if that DNA test had flagged something serious, the knowledge of which had forced her to withdraw from this documentary?

I’ve not replied to Pip’s last WhatsApp message yet, details of when to meet Hooper when I get to LA. Normally we’d meet at the Chateau Marmont, but instead it appears I’ll finally get to see Alice’s home for the first time, which fills my tired mind with a measure of excitement. El Cabrillo was built by Cecil B. DeMille in 1928: a two-story, ten-unit Spanish-style courtyard apartment complex, which has a history as rich and torrid as the man who was responsible for it’s construction. It has featured in countless TV shows and movies across the decades.

It’s one of three homes in LA, originally owned by her last long-term partner Lucy Welles. It was generally accepted she never stayed there any more as a result, but she will be there at 9am tomorrow morning, waiting for me. Nobody else will be offered either invite or interview. I ask Pip via WhatsApp if she’s okay, expecting a generic response. It takes fifteen minutes, then a video arrives: she’s still in the outfit worn for the Golden Globes. She thanks me for my discretion and honesty, before bursting into tears.

Something is terribly wrong here.


There’s a man waiting outside the Complex as I get out of the cab the next morning. LA is surprisingly sullen and grey, sweater weather for most. I’m still too hot and suddenly nervous, uncomfortable at this man’s presence. I’d come fearing the worst: this serves as confirmation. He’s a care nurse, unphased I’m a reporter, explaining that Ms Hooper has left strict instructions for my handling. There is breakfast inside: I must wait until Alice wakes naturally. It is important not to disturb her. As he opens her apartment door, I’m left completely stunned.

The place is a shell: no furniture except my chair, full breakfast tray and Alice’s hospital bed, for that’s what it is. Surrounded by quietly bleeping and clicking machines is the woman who yesterday was very much upright and defiant. As the front door closes, eyes flicker open.

‘Good morning, Ruth. I hope you brought enough hard disk space for a sizeable expose…’


I wish now I’d taken a proper camera, looking at photos downloaded from my ancient and much in need of an upgrade mobile phone. Back now at the Hotel, they’ll tell this story regardless. Alice Hooper was diagnosed with Lichen planus eleven months ago: after the disease failed to respond to traditional medication she was sent for specialist testing. Then came the discovery that her immune system had begun attacking other organs, including liver, heart and lungs.

She provides me with details of a charity set up to fund research and promote knowledge of this new condition, using her personal fortune after she finally passes. It could be weeks, or hours from now. Nobody really knew. Death stood, waiting for a prompt she was ready to leave. Asking about the outburst at the Golden Globes, why she spoke brutal truth elicited the only real smile in her entire interview.

‘I was a lousy actress, never made a difference. However as a test subject I might end up saving lives. I really wish I’d changed careers far sooner.’

It’s impossible to transcribe any more of the interview, I’m crying too much. This woman is a personal heroine, and I will be the last person to have interviewed her. This legacy, gratefully received, will ensure devotion to her life and career ends on the most positive of notes. On the way back to LAX that evening four calls in thirty minutes go to my answerphone. Rumours are flying after Alice’s performance that this is way more serious than a spat with the production company. People want to know why I’m in LA: they’ll be told, when I am good and ready.

Once upon a time I’d have been hustling for a deal, playing one media outlet against the other. Not any more: what she told me, with brutal honestly over four hours has already had a profound affect on existence.

To be so fearless, that close to death… her greatest performance.


Alice Hooper dies when I’m somewhere over Newfoundland.

Pip’s message is two minutes of tears, trying to get words out: she doesn’t need to. A stewardess asks if I’m okay, only passenger in First Class Alice bought for my return trip. I tell the truth: a dear friend passed away.

Poetry Archive :: Nobody but You [Redux]

Love is still horrible, unsurprisingly.

The original version of this poem can be found here.


Nobody But You

Now, departed: mind
desolate: understanding,
our love is over.

All passion desires
out of reach: estranged moments,
cold, empty feelings.

Every day, torture
realisation; final
line drawn, completed.

Point of no return,
old path blocked: accept failure
future, crumbling.

Nobody but you
at this instant: matters more,
loss too much to bear.

Drink the Elixir

Right, back to the grind starting Monday, with ALL NEW OUTPUT because there’s no excuse after (effectively) a month off. Sure, there’s a ton of things that could be done too but for now, time to sharpen the existing skill set. Go with what you know, right?

Altered

You already know therefore that April’s short story is one of the set that I started this month for another project… so, a little teaser might be in order, to give an idea of what’s coming. A terrorist with cold feet and a policewoman in the midst of a crisis of conscience walk into a place of worship… 

Starting April 1st for 30 days: 9am (@MoveablePress) and 4pm (@InternetofWords)


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Sometimes, simple is best. There’s millions of songs out there, but all I’m interested in are the ones with a single word title. The 30 best, in my opinion, will begin appearing in the @MoveablePress Twitter feed at 9.30pm every night from April 1st. Hooray for having scheduling back and working again!


drink the elixir

ALSO #Narrating2019 is BACK after a brief hiatus: having struggled for a few months when it came to content, a rethink took place and now, all told, things are a lot less stressful. Every night from 9.30pm on the @InternetofWords Twitter feed, it’s time to talk drinking: what you want, how you take it, and more importantly what that stuff does to your body…


GREEN

Poetry’s been produced a bit differently as well this month: both haiku and micro-poems, for the entire four week period, are presented under the same banner. I had thought about maybe 30 verses of both as an overall, arching theme but that would need a little more organisational groundwork than currently exists, but is likely to happen later in the year. For now, eight words have been picked as titles, all relevant to the changing season.

Micropoetry @ 9am and Haiku @ 5pm both on the @InternetofWords Twitter account, before poems are archived to the blog on Saturday and Sunday.


There will be other stuff too, but for now, this is enough. See you bright and early on Monday morning 😀

Ballroom Blitz

This weekend, for the first time for a while, I willingly wrote some poems.

All around me, almost constantly, is the reminder of ‘it’s not what you know but who you know’ that makes the difference. I could try and pretend it isn’t that way but like it or not, this is part of your rite of passage, in whatever new fandom you find yourself working within. Call it a community, commune, movement or any number of other adjectives to describe a bunch if people with a similar interest. Needless to say, you’re in fandom.

Entering the Poetry Fandom in my early 50’s is quite intimidating, but this is not unusual. There are lots of women doing this, I even read an article about some of them. The key to escaping mediocrity’s gravity is to get published or lucky on Social media. Both need a phenomenal amount of work. I’ve only really been at this for a shade under two years. That’s no time at all, and there’s this continuous reminder, day in and day out, that I’m not doing enough.

Fuck me, woman, you only just got started.

I’m ready to work again: there’s a personal project being tinkered with starting this week (once I have a residency proposal sent off to the local art collective) plus the normal run of creative outputs, but let’s be honest, none of this is keeping me in chocolate and new trousers, so it is time to see if the Dial a Rhyme service might have some merit. Honestly, what’s the worse that could happen?

On top of this, there’s a bunch of other things happening, at least one of which is deeply personal. I gotta hope that doesn’t derail everything else, but it’s always a chance. That’s the thing with life, you never know what’s going to happen next. So, do you sit and wait for opportunities to come drop into your lap, or do you get yourself out there, waving your wares to the World, in the vain hope that something might stick?

This new career isn’t going to fashion itself. Down to the business of shameless self-promotion.

Let the Right One In

Today, we present a lesson in need versus want.

You guys will know about the struggles with short stories last week. This morning, I’d sat down to work on the one idea I though had enough legs to transform into something saleable. It’s odd how so much of my mindset has, of late, simply focused on what other people are looking for, what style matters to make myself noticed. Forget that it’s become difficult to write because there’s a part of me being held back for a minute.

Yeah, I only just worked that out. But I digress.

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This little nugget dropped into my inbox yesterday, and set me thinking. There’s a prize, sure, but it’s not a publishing contract, or anything that would further my own desires. So, why on earth would it be of interest? Well, for one thing that’s the most detailed brief anybody’s given me about anything for about six months. Second of all, I have a story to tell. As it happens, it’s quite an important one as well.

This morning I tracked an article from the BBC Website about nature writing to its source, and then wrote 150 words for that and sent them off. No days of editing, no navel contemplation. Take a pictures, write the words, BOOM. I spend too much time worrying about stuff sometimes: I am the robot monkey girl who polishes everything so hard it shines, and yet nobody gives a damn about the result. Then, it hit me. I’m now a member of Mind. I wrote a story in two hours.

This one will need at least a couple of passes, and an edit from my husband, but in essence it is exactly what I wanted to write. It was the release of mental pressure I had no idea was really needed until it happened. Most crucially, it’s not fiction. It is autobiography. Perhaps, finally, the time has come to be totally honest not only with myself but the world in general about how this all affects my existence.

If all else fails, it’s been a very useful release of mental pressure on a part of my brain that’s been attempting to perform for an audience and failing.

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This’ll get sent off in due course; for now, it is time to see if the original job in hand can be completed today or not…

February Short Story: Change

This story was first serialised in 28 daily parts during February 2019 via the @MoveablePress and @InternetofWords Twitter feeds [9am and 4pm GMT respectively.] It is now reproduced in a complete form, a number of small edits and corrections made to improve narrative flow and maintain correct continuity.

Enjoy.


Change

I can’t do this any more.

This shouldn’t be a surprise to you, with consideration. You know better than I do how the last year’s worn us both down to stubs, lead and wood slivers scattered across a professional landscape tainted with chaos.

At some point something had to give.

It might seem heartless to announce my departure in letter form especially as you’re half a world away, but that’s part of my point. The virtual paper trail is set. My phone’s off. You’ll see the blog post, and if there’s actual care and concern to read it, then the game’s afoot. Will you drop everything in Chicago when my answerphone is all you can contact? How long will it take to notice you’re blocked on all social media? Will you rush to the airport, desperate to make it back to leafy Oxfordshire, begging me to reconsider?

Fat fucking chance of that.

I became a useful scalp in your upward progression through publishing, and for a time… yes, you did love me, of that I’m certain. There was care, consideration and passion that would ignite wherever we’d inhabit, but… and there’s always one, I wasn’t enough for you to be sated. That voracious appetite. Drugs that made me uncomfortable. Random strangers via Skype. A slow drip of extra-curricular activity that prevented a long term commitment and then, when everybody else deserted your sinking ship, I was the lifeboat that never punctured.

Not any more. For the record, I was heartbroken the first time lies replaced what had been the most precious and refreshing honesty I’d ever seen. It’s still painful, uncomfortable feeling whenever your name comes up in meetings or on publications. I loved you once, now it’s officially over. I’ve paid this company a not inconsiderable amount to deliver this letter in person. You’ll assume it’s another contract or offer, that one of your many lovers is playing a game with you, and it is, after a fashion.

You see, after patching up my cracked psyche, I hired a lawyer. The one thing you’ve always been great at is deception, which fits nicely into that professional persona so carefully cultivated. It also means that there’s a couple of quite important people in your circle that would find any hint of public involvement with you quite damaging. Don’t worry, this isn’t blackmail. I was clearing out the flat, ready to move out and away from your horrible, damaging influence and found the bag you’d either hidden there because you thought I’d never find it, or were stupid enough to forget ever existed.

Either way, you lose. You already know what was in it, and now it’s been passed onto the police, because honestly? I was a complete idiot. You played me: I was stupid enough to think that actually, I mattered when that was quite obviously never the case. You’d call me your dependable port in a storm. Not any more, it’s game over. I’ll see you in court. Oh, and as I’m reliably informed by my legal team this letter is admissible as evidence, I look forward to you trying to prove this was some kind of entrapment or deception on my part.

Time to reap what only you have sown.

Mags.


The removal men drive away, battered blue van disappearing into wonderfully bright, blue Oxford morning. I never liked this town: too posh, full of self-righteous pomposity. Christopher fitted right in here, utterly in his tweed and brogue element. It was the right time to leave. His letter should have been delivered exactly as my life departed this town for good: I’ll have got him up at 4am, just as the sun is rising over his immaculate brownstone apartment in New York. He’ll think it’s a lover, probably Anton or Elizabeth, starting his day with a smile.

I imagine him standing there, immaculate white dressing gown suddenly far too hot to wear, staring at my words: more powerful than an any threat made, means by which this entire ridiculous charade will be shattered and broken for good. High time he ended up as the injured party. It is fair to assume his legal team will not simply be sharp but also extremely clever: good luck however if you even try to prove I faked those photographs or any of the video files stored on Chris’ memory stick. You won’t find a single fingerprint of mine on any of those items.

There’s pages of notes, history written up and ready to go. What I heard: lies and duplicity, playing other people off against each other whilst keeping multiple individuals in the dark. Under normal circumstances, none of this would have been of interest to the police, except… Sickness rises in an empty stomach: it’s time to walk the short distance to the station, waiting for the train back to London and my new life. No more breakfast in bed, staring across Oxford’s classical architecture, end to the late nights staggering drunk through narrow streets.

I’ve not touched a drink since the day Chris’ bag was discovered. No cigarettes either: time to go cold turkey from everything. There’d been suspicions over drug use, and now there’s documentary evidence that’s the least of his sins to consider… no, I’m not going to let him win. Hindsight is a wonderful thing: I got played, just like everybody else, except this time there’s no running away from the truth. I’ve offered myself as evidence, willing and ready to stand up in court, because there are points in life where keeping quiet is just flat out wrong.

Part of me is already considering how long it’ll be before the truth comes out.


In the end, it takes a week.

The Metropolitan Police arrest Chris quite literally running off a private plane at London City. He makes the Guardian’s front page, as publishing goes into meltdown. The sympathy garnered from my family is remarkable, who had initially been beyond disparaging at my relationship with this man, who was twelve years my senior. The biggest surprise however is how my employers firstly handle the revelations, before swiftly acting on consequences.

I am offered free counselling, plus a leave of absence. It seems only right to be up front with them over the deal with the prosecution lawyers and when I am, their understanding and support is an unexpectedly comforting surprise. It takes six months to work out their motivation. Chris is the father of my editor in chief’s six year old daughter, which only becomes apparent after a tabloid newspaper breaks the story. It’s news to everybody, including the errant father, and I’m very glad to be working in Manchester that week and not stuck at Head Office.

Trial is set to begin the week after I move into my own place overlooking Olympic Park in Stratford. The legal team are quietly confident of their case: I’m surprisingly nerve free the night before proceedings are due to kick off, using unpacking as a useful displacement activity. At 10.15pm Kim calls me, in a state of considerable shock. The lawyer’s been informed by Police that Chris has suddenly been taken ill, is possibly unconscious and that the trial may need to be halted as a result. TV news already reports that he’s been taken to a London hospital.

By the time I’ve been woken by my phone alarm at 7am, he’s been dead for three hours. Kim has no more details at this point than that, and is amazingly far more upset than I expected. Without an accused, there’s no trial, and the story of the man with many appetites will be lost. Christopher Eastwood died of a massive heart attack before his story of abuse, exploitation and considerable excess was ever publicly known. After the trial was cancelled an awful lot of people were left without closure, including me. My response on reflection is utterly perfect.

It took just over a week to write the story of my time with him; three months to interview everybody else involved, including my then ex-editor in chief. That final manuscript was rejected by my employers quite rightly on grounds of conflict of interest, but it wasn’t a problem. Nepotism might be unpalatable to many, but it was how Chris kept himself hidden for so long. My brother saw the manuscript and within a week, his TV company had mobilised one of the most famous scriptwriters in the country.

This story will soon become compulsive, must watch TV…

Free as a Bird

On my day (which let’s face it is most of them) I am a world class procrastinator. The problem with this, looking at the calendar, is that we’re already three months into 2019 and this bid for World domination is not going to move itself. So, how do you push past failure and remain focused?

The top of those two monthly planners (intentionally blurred so you don’t get to see what I’m working on) has a very clear set of outlines. Next week, without fail, I was gonna push out some poetry (despite telling myself I was done for a bit, which was clearly a lie.) Except this morning, whilst desperately looking for a way to avoid having to tidy up, brain informed the Poetry Department it had a couple of rather useful lead-ins to the work that needs to be done. An hour later, I’ve written two out of four of my initial submission plan.

What occurred to me as I was hoovering up the floor avoided an hour previously was the rearrangement of mental priorities which is freeing up more creativity. What used to be the case is that there’d be no real grasp of what needed to happen when: this would lead to a ton of last minute panics, with work being rushed. If there’d been sufficient planning, more effort could have been put in at the outset. Having used wall planners now for about six months, it’s a far more effective means of getting deadlines to stick, and not panicking over outcomes.

The visual is a really big deal, which should have been more obvious than it was. There’s a third planner up on the wall, a 12 month one, on which deadlines are slowly being filled.It allows my brain the space to grasp what there is to do, what’s coming and where everything fits together. It also, crucially, allows me to plan for surprises. That’s what, if I can do something well before a deadline, it is far more sensible than leaving everything until a week before when inevitably, there’s more pressure.

It transpires that this is how I work best.

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Of course, none of this wins me anything, but that’s perfectly fine. The satisfaction I now feel in being able to manage and feel comfortable in my own skin, to recover from disappointment to get back into the process of writing is worth considerably more to mental well-being long-term. In that regard, this is far more significant a win than anything else that’s likely to happen for a while.

Finally, there’s a freedom just to be that didn’t exist before.

The Long, Dark Teatime of the Soul

I should have started doing this far, far earlier in my life than now. This revelation isn’t really very useful or productive, so now it’s been said let’s stick it in the pile and move on. Friday was, all told, very surreal, like it happened to somebody else, or I was slightly removed from my own body. The only thing remembered was the round of applause granted when it was apparent this poem wot I wrote was a first publication.

Everything else is a blur. I met some lovely people though, and had a long conversation with Rachel Boast, for whom the W.S. Graham project has been something of a labour of love. Lots of people were lovely about my ability and my presentation too, which all bodes well going forward. Part of me wants to do a slideshow of imagery to go with any future reading, and suspect that there may be opportunity to try this out later in the year. There are plans, oh yes.

I wish I’d taken more pictures too, but in the end the ones that exist will be enough as a start. A phenomenal amount of stuff was learnt: I need better trousers for starters, and a pair of gig boots. Then there’s material, and the route to further publication… I’m looking forward to being told I’ve not won a bunch of stuff next month so I can sort out a ton of other projects using that detritus. The biggest bonus undoubtedly from all of this is a feeling of validation. Yes, you can do this.

Yes, this is just the beginning.

The Day Before You Came

Yesterday was, without doubt, one of the most difficult days I’ve ever had as an adult. ‘Yeah yeah, it’s all hyperbole,’ I hear you mutter BUT THAT IS WHERE YOU ARE WRONG. It was apparent, going into this year, there would be points where everything could topple, but what wasn’t expected was the opposite to take place. The permanent, ongoing assumption is that things get better with time. Except, sometimes there’s a release of pressure, and amazingly everything just improves.

How that happens is often a cause of considerable surprise.

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Yesterday was the day I submitted probably the most important piece of work I’ve ever completed. Sitting mentally exhausted in front of my PC and Mac, I became really very angry. That same day’s events hadn’t helped, as came an understanding that all of this, countless revisions and  rewrites and polish plus everything else are not contributing to my happiness, but serve to attain a standard other people set. There needs something that is my standards alone, or else slowly, everything will begin to suffer.

Then, I remembered the Gym. Those numbers after weigh in today, let’s be honest, are a revelation. Most people exercise to get lighter, but that’s not me. I’m here, gaining muscle mass, and becoming something a world away from the woman who thought ‘thin’ would solve all her problems, which of course is so patently untrue as to be funny. For the record, there’s less fat than ever before in my makeup, but this journey is no longer about dieting.

My road to success just took a massive detour.

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All of this is a complex cocktail of emotions to add to the general state of mental health, which pretty much relies on there being more to life than writing and submissions. Once upon a time, of course, writing was the therapy in itself, but that has now become the job. Therefore, I need a new means to cope, and exercise has become that means not only by which events are in my control, but that destiny is allowed to throw up some interesting possibilities.

I’ve learnt an awful lot about myself in the last month or so, and that’s set to continue. The lesson to learn, if it were needed, is that the best way to improve is often the least obvious route offered. I’m sure someone’s said that better, but that’s not the point. Talking about mental health isn’t just dealing with the issues, it’s finding the means by which you better communicate all the other stuff about your existence that matters just as much, sometimes more.

I’m really looking forward to travelling this way going forward.