2020 Week 20 Poetry: Anger

In the past few weeks, strange things have begun to transpire in the poetic parts of my brain. It’s not a worry, far from it: daily practice and a new openness to moving words into different spaces that were previously unexplored is producing some fascinating new combinations. Undoubtedly this will continue to be actively influenced by the introduction of video content into the equation.

I have an idea for my first full collection.

There’s a new pamphlet in the works.

What a time to be creative, and lucky to be alive.


Anger

What began, only remains sacrificed with ungodly zeal, altered outlooks reveal disquiet,
unexpectedly adroit, passively regressive understanding, Zen demanding.

Insidious fuse, unconsciously lit, don’t think she’ll get away with it: scarlet womankind,
sexuality unwinds, leisurely descent, decent laments loss of splattered purity.

Anger explodes, abode decimated, consecrated ground shaking; liberties taking quickest
path, highest land abandoned, no longer sacrosanct.

As her lust settles, desired reanimates, immediate placation of destructive situation...
everything resisted; actively assisted returns to movement, circumstance.

Such drama, crisis cavitates creating pressure, tension’s taut suspension; what was end
begins renewed; gentlest caress quietly begins redress.

Strong

It’s time for your weekly update of The Poetry Experiment, which has now come to encompass not only a general reaction to Lockdown, but responses to specific COVID-related events. There’s a lot been done in the last week as well, which is reassuring when I’m not really in a particularly productive place right now. It can’t be helped: we’ve lost a family member this week, and there’s been some other drama to deal with.

It’s time to focus on positives.

Number of Poems Written: Eight.

monkey typing

I made myself last week sit down and plan how this ‘story’ is going to pan out, because that’s what this is. There’s a period of reflection before everything went mad, a focus on three days within that period, and a series of emotions I’ve felt as a result of the entire event. Poems are emerging quite organically as a result: of the eight we have thus far, there’s one at the start, five in the middle and two at the end, making a basic framework.

I’m pretty pleased with what’s been produced thus far too, and how things are fitting into the ‘play’ I’ve imagined this could end up becoming. The next stage will be to read through everything and start focussing on the feelings and descriptions I think are missing, that form part of my lockdown experience and should as a result be recorded. I’ve set myself the notional target of the end of this month to have all the pieces in place.

Emotional Investment: High.

goodmorning

We have not as yet reached the ‘everything sucks, I hate myself’ part of this project. That’s always a massive bonus, that if I can get the majority of the hard graft done before paranoia and anxiety set in, so much the better. It helps considerably having Patreon as a constantly running set of deadlines to hit going forward, so there’s always this background awareness of what needs to happen, and has to take place.

As a displacement activity today, in an attempt to see if I can get my brain to do anything else but mourn a loss and grieve over other things, I’ll be pulling poetry together for some online submissions. As these aren’t being specially aimed for, as is the case with this work, that should lessen the emotional impact of worry over whether my stuff was ‘good enough’ It is the recycling task I should do more of going forward.


You can expect an update on progress in the next week.

Give a Little Bit

The #SixFanfics project is going very well, with the last two decades of content scheduled to go to the polls tomorrow. I’ve had a massively productive day and caught up on a ton of outstanding stuff, and now it’s time to start contemplating where to be placing my attention going into the second half of the year. In an attempt to pick up more Patrons, I have again listened to feedback over appropriate stretch goals.

It’s been coming for a while, but today dawned the understanding I need a website to sell stuff on before I can start selling stuff. An account on Gumroad’s sat gathering dust for some months, and it is high time to start getting it ready for use. I’ll be programming time in June (can’t believe I just typed that) to start organising the levels of content we’ll need to accommodate a virtual poetry collection, plus physical output.

I’ve produced a number of unique commissions this year, for special occasions (a christening and two weddings, if I’m being honest) plus I made all my Christmas gifts this year as one-off, special poems for all my mates. This is a revenue stream that needs more promotion than is currently the case. Therefore, over the summer, there will be plenty of opportunity to make this all a reality.

WSE New

I had something rejected this week that was, in my mind, probably the best piece of poetry I’ve ever written. It was the final straw that has made brain grasp that if I want success, waiting for other people to notice me is not enough any more. It is time to make the noise and push buttons and generally become what I have always been afraid of: a better person. This me is more productive, more proactive and more capable of changing the world around me.

This me is about to make everything better.

2020 Week 18 Poetry: Sow

Poetry is having a rest next week, because I’m pretty rammed in May as it is and taking on too much, I have discovered, is a sure-fire way to burn me out. Therefore, here’s my last bit of stream of consciousness for a while. I am proud of these as a group of five, and we’ll probably revisit/revise this lot a bit later in the year. It’s useful to allow your brain space to shift and move.

It is amazing what happens when you relax and let words flow unhindered…


Sow

Here we are, staring disconsolately, fallow time between main course and dessert, lost in relationship’s parched weeds, future; tense, relationship.

Two plated, hot then cold: between minimal, extravagance once expected, now deflated, content remains unknown, grown, soon cast aside.

Fork civility, spoon-fed platitudes scraped, pushing scraps abound, innate remnants, sitting tenants pile pointless platitudes, resentful moods.

There we go, separate bills, fallow lives, consequences reaped; to sow once more, swipe left field-hand, season begins again.

2020 Week 17 Poetry: Far

I have absolutely no idea how this happened at all. It just fell out of my head in five self made-pieces, last taking prompts from previous four. It’s odd sometimes how these things just happen.

It’s a long way from where I was on Monday to where I am now.


Far

There to here’s strained gasp away
emerging resignation
pain never leaves anything, well
separation anxiety
stitched within this soul.

Here was now, a breath ago
hidden panic, exposed
juxtaposed across decades
disturbs uneasy timeline
stuck tightly to my soul.

Redefinition, emerging
greater confidence, self-defined
unexpected truth unwinds
experience repeated
expletive, summarily repeated.

Then to now, alteration;
recognition what before, no longer
adequate observation
delayed participation
reassign priorities, regroup.

There to here’s return to form
hidden panic assuaged:
unexpected, belief transcends
delayed, anticipation
emergent; new direction.

2020 Week 16 Poetry: Me

It is odd, sometimes, how the things we least expect to emerge in our work end up doing just that. This poem is a case in point: the events of this poem are 100% true. The verse maps out a real, difficult event in my late 20’s. There is one deviation from fact, for the sake of a convenient conclusion, but this will be the second time this particular moment has surfaced in my poetry.

I know why this happened, at this point in proceedings. Lockdown is taking a quite particular mental toll on the trauma-affected areas of my brain: last night was a case in point. Understanding that this stuff is happening is one thing: dealing with it, when it happens, another thing entirely. Getting it out of the brain and onto a page/screen is undoubtedly helpful, however.

Next week’s poem, as a result, is a differenty beast entirely.


Me

inhale
calm, nerves flattened
introductions
largely unnecessary
we’re all friends here
except, over there
errant thoughts
middle finger raised
not this again

exhale
sudden, unexpected
rogue elements
since when was he
on my side, big man
small aspiration
celebrations
largely unnecessary

regroup
now what, possibly
strong assertions
largely unnecessary
strategic withdrawal
consider enemy
unexpectedly
anything but

accept
possibilities, blossoming
directions shift
negotiations underway
largely unnecessary
mind’s already sold
axis powers pact
forgone conclusion

success
largely unnecessary
bigger picture painted
sacrifice worthwhile
middle finger salute
achievement unlocked
exit, stage left
phone number, meet hand

2020 Week 15 Poetry: Ray

It’s been another week of lockdown complete, with poetry becoming easier to tap into. That’s an encouraging sign, considering that I’ll be dipping my toes back into competitive submissions after Patreon work’s done. The biggest single issue, of finding a cohesive and credible voice, seems to have been properly put to rest. There was no a proper comprehension of how I should sound when presenting poetry until quite recently.

Being taught is one thing, as I have discovered in exercise, but grasping the reality of that teaching is another thing entirely. Comprehension is the bridge that has always been lacking. How do I move from here to there without losing the essence of what I am? How is it possible to combine subject matter with the right level of objective emotion? It is happening now, of that I am confident.

The next step, undoubtedly, is to put these new skills to work.


Ray

Nature’s affirmations, cautious life emergent;
darkness is shrinking, sunlight’s warmth singing.

Anger released, exhaled; everything goes, nothing retained,
cleansing rains: vital pulse, regained.

Cool skin, thawed heart: blue backdrop, green shoots:
framed palette perfect, backdrop painted.

Grow strong, daylight’s confirmation: turn, upward destination,
larger space not trapped below.

Confidence reborn, harvest ready; life takes time,
relax, allow world to match pace, good grace.

2020 Week 14 Poetry: Dough

The weekly poetry returns, and with it a desire to do something a little better than I have been previously. 

However, for that to happen successfully there’ll need to be a couple of weeks where routines get baked back into habits. Having said all that, however, this is not bad at all. I am pleased with the outcome, and it covers a lot of bases simultaneously. Undoubtedly the intellectual audience will find me nodding a little too much to cliche, but in that regard I do enjoy the obvious to make a point.

Next week you get more days, yet less words: by the third week in March…


Dough

Money; it appears, root’s cavity
all evil buried under dough’s
craggy inclination, soured starter
one million awkward conversations.

Bears hibernate, bulls castigate, make
hey capitalism, let’s go boom, bust out
rusting remains, millions jobless
universal wage requirements constant.

Billionaires hoard it, shareholders applaud it
evil, necessary, unless you don’t have any:
put down plastic, raise up care
support h
elp whole, truth far more fair.


City of Blinding Lights

Those of you paying attention will know I was away this last weekend: some of the scheduled work has suffered (no poetry this week, sorry) but in the main everything has been surprisingly well-organised. The stuff that should have appeared will do so at the weekend. I’m only a day behind on the Playlists. Frankly, this is the best it has ever been. No really, no hyperbole; a new and interesting crossroads has been reached.

Everything is coming together: a poetry collection I can be genuinely proud of in final stages of re-write. Poetry that is a completely accurate and honest representation of what I am becoming in reality. There’s even a short story waiting in the wings, amazingly apposite for current circumstances. With my objective hat on, none of this is really just luck or coincidence either. Years of hard work is coming to fruition.

This is the consequence of looking upward, forward to what could be possible.

bowfail

A lot of times, it is easy to self-convince that targets are being hit: however, if nothing comes from your work but rejection, is that really a perception worth hanging onto? It’s the ephemeral, mystical value of ‘polish’ which I’ve spoken about before: something that you truly believe is as good as it gets, until back it comes from someone whose  subsequently published selections you neither grasp nor understand.

It takes a lot of hard work to re-write things you were convinced were perfect before, I’ll tell you. Except, there will come a point somewhere in that process where you’ll grasp an inescapable truth: you were deluding yourself. It’s never an intentional lie, but evolves from understanding that we all improve, over time, with practice. Writing, as we have also discussed before, is no different to exercising, or learning to play a musical instrument, or drawing.

The more you push yourself, the better things get.

isittrue

This week therefore is doing this with pieces of work I’m already supremely proud of. The unexpected bonus from this has also been the emergence of some new pieces that are making me genuinely rather excited: creativity will inevitably spawn more of the same, often in directions that are totally unforseen or surprising. Then one just has to try and keep the momentum going.

This will be me, making sure that’s exactly what happens in the next week.

Leaders of the Free World

This week, a major part of my February output has changed. For this month’s Big Submission [TM] the plan originally had been to repurpose what is, in my heart, the more personal set of poems from a selection of three possible entries. Except, there’s been a bit of a lightbulb moment after a week of staring at stuff with no real idea of how I can rebuild those moments, in some cases from scratch.

So, on Monday, time made me walk away and re-approach a selection that… well, is emotionally quite difficult to read. It was the sense of dread this collection radiated that had kept it untouched for some time, but in terms of salvageability and improvement, this was the best bet. My third selection has neither cohesion or narrative flow and needs to be completely reconstructed.

Instead, this was the better bet.

It was hard work. I’ve cried more in the last 48 hours than has been the case for weeks. Mentally, I am exhausted, but what now exists is a piece of work that I am genuinely very proud of. More importantly, this is the piece that, regardless of what other people decide, will see the light of day in some form as a printed work before the year is out. Self-publishing, on whatever format, will happen in 2020.

It also puts into stark relief exactly how much work has been done in the last year or so, and how little grasp there is of what exists and in what form. I’ve taken the step this morning of archiving the key files off to backups in two seperate locations, not just on my hard drive. You can never be too careful, after all. Then, there really needs to be some time to sort out exactly what has been stuffed where.

and

There’s an early Spring Clean coming, I think, a lot to do with this recent outpouring of emotional pressure. Many things can now be thrown away, for good, no longer required to move pace of my progress forward. They were, it occurs to me now, simply support structures anyway. Now I’m confident and comfortable enough to stand alone, none of it is required any longer. I can move forward, considerably lighter.

This really is the best work I have ever written.