Free Your Mind

Weekly poetry is BACK and frankly, I could not be happier 😀

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Creativity is an odd thing: you can decide to set time aside to write, or draw, or indeed do anything else but unless your brain decides to also turn up and take part? All the planning it the world is largely pointless. What works best for me, undoubtedly, is having certain tasks running as a permanent background hum. After a couple of years working out the kinks, this is now the most productive means of being… well, productive.

If I want fiction to work, fiction needs to run in the backgrounds (hence why FINALLY EX/WHI is back this week) and the same goes for poetry. These daily mental exercises, literary gymnastics in my head, make it easier and simpler to push other things front and centre. So, whilst the front of house poetry this month’s all about HOPE, round the back it’s all much darker and… frankly a bit angry.

There is the potential for an awful lot of ranting in the next few weeks if I’m not careful, so all these OMFG YOU’RE ALL IDIOTS first drafts need to be tempered down a bit. There’s also later on the potential to revisit some old works, the back catalogue is finally beginning to attain both breadth and depth. I’ve discovered today a local Open Mic night, so it might be worth an exploratory expedition to see how that works.

Reading in front of an audience is an extremely enjoyable fringe benefit of the poems, after all, and that gives me the opportunity to refine technique and content. How something sounds is probably more important than the words themselves, and I can read one word as another when performance happens, means by which more depth can be inserted than simply exists when written…

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These are exciting times ahead.

2020 Week One Poetry: That Kills Us

I stopped writing weekly poetry for Social media when it became apparent that work could be used elsewhere… to maybe make me some extra cash, or win a contest. After a year where neither of those things have come to pass, it is time to go back to what was working best for me in terms of creativity. This is the equivalent of drawing every day. It is means by which my craft improves.

These words are the best ones.

That means 52 poems, including holidays: Monday to Friday (or in this case, three days for the start of the year.) Where months start mid-week, I’ll write less (Week Five will also only be three days long) giving time for a bit more rest. The proviso here is everything is written ‘live’: no weeks of polish. If it’s a verse a day for five days the original selection will be skeleton-built the week before and amended on the fly.

That means next week’s five verses are ready to roll starting tomorrow but might totally alter when I post them. We will see. 

For now, this is a solid start.


That Kills Us

Repetitive, blamed infamy
always somebody else
pointing finger, insinuate
your problem, halved
segment, rotten whole.

Slope, madness descends
cackling uncontrollably;
finger given, on the way
past circles held, restricting,
other people’s selfishness.

That kills us, possibility
this time, perhaps, is better;
sad inevitable, lies:
hope only held eternal
if goodness sets her springs.


Noises Off

So I promised a review of Thursday’s gig. I’m tempted to do it in rhyme, but my brain’s pretty much fried after the stress of last week, coupled with this week’s workload. So, in the absence of actual ability…?

Bullet points, go!

  • The Chalkwell venue is cracking, I hadn’t realised just how welcoming and conducive to performance it is. The acoustics are lovely (no mike needed) and so that was the first hurdle successfully overcome.
  • I got there ridiculously early so everything could be scoped out and walked around, thus assuaging my location anxiety (which is considerable) allowing brain and body to feel comfortable (which they then did.)
  • There was the chance to go first. I’ll always go first. Last is torture. Headline acts need to start early, and support can do the later shit. This needs to become a Thing.
  • One poem ( [Fifty]: /Two ) went down incredibly well. Randomly, people came and complimented me. This was a surprise my brain was not actually ready for. I’m still not over that joy.

Official pictures will appear later this week and when they do I’ll update the front page: needless to say I am VERY happy with how everything turned out. Time will be spent this weekend getting a Residency application sorted out. It is time to take my Internet Poetry Opus to the next level with some space and time: using the space as a means to plan the way forward.

I’m also reasonably confident this content is enough off the beaten track to be interesting as a pitch, with the work pretty much complete as is. What I’d like is the opportunity to perform it, with some audio visual accompaniment, and that will need space and time to plan and organise. Needless to say, it’s gotta be worth a try and if it fails, I’ll do it anyway.

This is, of course, how End of the Fear came into being in the first place.

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Needless to say I’m pretty excited about the fact that in 2019, I’ve performed my poetry live at three different venues. 

Who knows what 2020 will bring…

Supper’s Ready

After I failed to get a residency at the local arts collective in March, the idea I’d wanted to work on became End of the Fear. That is the gift that keeps on giving, and it has taught me the value of not assuming that success equals a book deal or a winning submission. Success is not about what other people consider as worthy, it’s your happiness above everything else.

However, my submission did get me noticed enough to win a meeting with the head of the Southend facility (is that the right word, I wonder… hub, perhaps? Community centre?) and a promise I could appear as part of their ‘Future Park’ events: three minutes to sell yourself to the audience, using anything you want as content. In my case, I picked a poem written in January which remains the strongest piece I’ve written all year, ironically submitted for a major prize last week.

That means there will eventually be some pictures of the evening. For now, I am reminded that although using Social media has its own pitfalls, if I wanna be seen in the world, this is the way to do it. With Inktober coming up, there’s a strong temptation to do haiku again, because that was huge fun and I’ve come a long way in two years. My home town is an amazing backdrop for so many things, after all…

There’s a lot to consider on the back of this performance, and next week is an important deadline for a collection I’ve been playing with for over a year now. Today, however, is taking things easy. The stress and adrenaline are still very much in evidence, and so that means no exercise as well as no worrying over what happens next. For now, I celebrate what’s been achieved this year, and what might yet be to come.